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Struggling Between Pleasure and Powerlessness

In my exploration of feminism, I have gradually awakened to my self-awareness. However, in the face of the overwhelming pressures of self-identity and social interactions with others, I find myself deeply fatigued and anxious. This inner conflict drives me to embrace the present, experiencing the fleeting pleasure that sexuality brings, as well as the relaxation afforded by alcohol. Through my art, I aim to capture these moments of joy, exploring and examining my feelings of powerlessness regarding my current situation. In doing so, I seek to reflect on how I can find self-identity and inner balance amidst the fast-paced rhythm of life.

Gaga Yan

Currently, my mental state is far from ideal. This shift stems fundamentally from a failure in communication with my parents, which has led to a profound conflict between my ego and superego. My parents typically view family responsibilities and moral obligations through a traditional lens, while I strive to understand gender equality and personal independence from a modern, diversified perspective. Whenever I attempt to discuss these issues with them, I often encounter interruptions, misunderstandings, and even reprimands. This phenomenon not only reflects the cultural differences between generations but also exacerbates my feelings of loneliness and frustration.

 

During my interactions with my parents, the limitations they impose leave me struggling immensely between independence and dependence. These constraints arise from their emphasis on traditional moral values and familial duties, which, in turn, stifle my desire for self-exploration and personal happiness. According to George Herbert Mead's theory of the social self, the formation of the self is intricately linked to the expectations and feedback from others (Mead, 1934). However, my parents regard traditional moral norms as absolute and, thus, cannot comprehend my quest for new identity recognition and modes of expression. This intergenerational conflict produces a cultural adaptability barrier that reflects broader societal psychological issues, specifically the identity crises associated with cultural migration (Hofstede, 2001).

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Nickerson, Charlotte. "Looking-Glass Self: Theory, Definition & Examples." Simply Psychology, Simply Psychology, 22 Sept. 2023,

Every time I wish to go out with friends or travel, a surge of guilt floods my mind. Holidays are meant to be a time of relaxation, yet they become burdensome due to my parents’ values, as they believe that, as an international student, I spend too much time abroad and should be accompanying them during my breaks. This viewpoint demonstrates a strong emphasis on the family unit but overlooks individual emotional needs, amounting to an infringement on personal boundaries.

 

This psychological turmoil has become increasingly apparent over the past year, as I find myself struggling amidst confusion and anxiety, akin to exploring within a dark whirlpool. According to Sigmund Freud's theory, this internal conflict is precisely the confrontation between the ego and the superego. The ego desires freedom and satisfaction, while the superego represents internalized moral standards and societal norms (Freud, 1923). This theoretical framework illuminates the tension individuals experience between adhering to societal norms and pursuing self-actualization, further explaining my bewilderment and pain in navigating my parents' expectations against my own aspirations.

 

In addition, Burkitt (1991) posits that the development of the self is significantly influenced by social interactions, with individual identity often constrained by the expectations of others. In this context, I find myself grappling between my parents' cultural expectations and my pursuit of self-identity. The traditional cultural emphasis on family as the fundamental social unit, together with Confucius' principle of "Harmonious family is the foundation of prosperity," often suppresses individual freedom in favor of familial duty. This suggests that while traditional family values play a crucial role in maintaining familial harmony, they may simultaneously lead to a sense of oppression in one's quest for self-fulfillment.

 

As societal changes take place, individualism has gradually emerged, challenging traditional views. Since I began receiving Western education at the age of 14, I have encountered disruptive cognitive and ideological conflicts. As Burkitt notes, modern society increasingly values individual identity and self-actualization (Beck, 1992), yet such changes are often resisted within conservative family environments. This clash of values across generations not only affects parent-child relationships but also obstructs my self-identification.

 

Within the framework of individuation theory, society should recognize the existence and capability of individual independence and self-realization. However, I have been unable to engage my parents in equal discussions about this concept. Despite attempting to express my independence in both direct and gentle manners, nearly all my efforts have ended in failure. This undoubtedly intensifies my feelings of frustration and inner unrest. My therapist has advised me to achieve financial independence promptly to extricate myself from this conflicting predicament. Nevertheless, I deeply long for my parents' recognition and hope to establish a healthy, intimate relationship with them. This tug-of-war between self-identity and family responsibilities compels me to continually reflect on the delicate balance between personal freedom and familial expectations. As Burkitt asserts, societal feedback is crucial for self-identity, and the communication barriers between my parents and me represent the core battleground for my self-identification in social interactions with others.

Frida Kahlo, The Two Fridas, 1939
Oil on canvas
68.5 x 68.5 in (174 x 174 cm)
Private Collection

In my artistic practice, I frequently reflect on the awakening of self-awareness and the accompanying pain. Much like Frida Kahlo, my work arises from personal suffering and explores the complexities of female identity. As I delve into feminism, this growing self-awareness compels me to confront identity confusion, leading to profound anxiety.

 

I navigate the interplay between fleeting pleasure and a sense of powerlessness. Through my art, I capture moments of joy while reflecting on my feelings of inadequacy. Similar to Kahlo’s pursuit of happiness amid pain, I strive to find balance amidst physical and emotional constraints.

My familial and cultural background deeply informs my perspective, echoing Kahlo’s identity conflicts. I grapple with the tension between familial expectations and personal aspirations, seeking to reconcile traditional values with modern ideals.

In my experiences of intergenerational conflict and cultural adaptation, I resonate with Kahlo’s journey. She resisted traditional cultural oppression through her art, and I aim to redefine inherited values within contemporary influences.

I am engaged in examining the relationship between self and society. Like Kahlo, I express the dichotomy between personal pain and pleasure while navigating my identity in an evolving cultural landscape. As traditional family values exert pressure on my artistic practice, I confront these obstacles and seek to clarify the tensions between personal freedom, familial responsibilities, and cultural expectations.

Gender stereotypes often associate masculinity with power and rationality, while femininity is linked to submissiveness and emotion. This binary opposition acts as a cage that limits individual self-expression, leading many to subconsciously suppress their true feelings and desires. Psychologist Stuart Hall has pointed out that cultural identity is not static; rather, it is continuously shaped through social interaction(Hall 222). Through my study of feminism, I have come to realize that these stereotypes can be challenged and redefined.

By deeply understanding and reflecting on these concepts, I found ways to alleviate my inner anxiety and external constraints. This process has enhanced my critical awareness of both myself and society, making me more attuned to the inequalities and biases that lie hidden in everyday life. Feminism has not only directed my attention to gender issues but has also made me aware of every individual's right to choose their own way of life without being bound by traditional norms. This realization is particularly significant as it represents a reaffirmation of my own value.

This newfound awareness has emboldened me to explore my identity further. When confronted with the conflict between societal expectations and personal desires, I am better equipped to pursue true freedom. This pursuit is an ongoing journey that involves the continual reflection and reconstruction of my self-identity.

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In the face of both internal and external challenges, I choose to momentarily empty my mind, granting my spirit a much-needed respite. As Albert Camus describes in The Myth of Sisyphus, my life often feels like an endless struggle, akin to Sisyphus perpetually pushing a boulder uphill. Despite the inevitability of failure, he finds the courage to restart and begin anew. This courage embodies not just perseverance in the face of adversity but also a profound reflection on the meaning of life (Camus).

I have gradually come to realize that many issues lack absolute right or wrong; life is filled with complexity and ambiguity. Within this process, accepting past ignorance and imperfection has become a vital aspect of my growth. This acceptance does not signify surrender; rather, it acknowledges that each phase is a necessary component of self-development. Such contemplation and reflection have taught me to find balance amidst the weight of psychological burdens.

Years from now, I may still perceive myself as somewhat ignorant, but this feeling will no longer signify a denial of self; instead, it will represent an expectation of future possibilities. As psychologist Carl Rogers noted, the enhancement of self-awareness arises from the authentic acceptance of one's experiences (Rogers). Though each reflection may be accompanied by discomfort and confusion, these moments provide invaluable opportunities for growth.

On this foundation, I have begun to embrace uncertainty and cultivate an open mindset. By emptying my mind, I have planted the seeds of acceptance and growth within my inner self, realizing that the meaning of life lies not solely in achieving specific goals but in savoring every moment of the journey. This perspective helps me understand that "ignorance" is not the end of life, but rather the beginning of an awakening of consciousness.

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McLeod, Saul. "Carl Rogers Humanistic Theory and Contribution to Psychology." Simply Psychology, 29 Jan. 2024,

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In the summer of 2024, I became fascinated with buying silicone squeeze toys. The entire wall on the right is filled with the packages of silicone toys I purchased. Since the cost of silicone is high, some individuals in China make and sell them. The quantity is limited, and as soon as they go on sale, they are snatched up by buyers within seconds. Popular silicone toys often require a markup to purchase, and it is common not to be able to buy them. This purchasing environment made me addicted, and I gradually lost track of whether I was buying silicone toys to relieve stress or just for the sake of buying them.

At the same time, I find myself pursuing immediate physical pleasure as a temporary escape from the pressures of reality. The moment my fingers lightly touch a silicone stress-relief toy, it feels as though all my stress dissipates instantaneously. This physical release brings a brief sense of calm, paralleling my indulgence in sexual encounters and alcohol, which also serve as mechanisms of escape.

 

This quest for instant gratification may stem from my desire to temporarily distance myself from overwhelming emotional burdens and psychological conflicts. As highlighted in psychological research, such behaviors can sometimes represent a silent rebellion against external control, providing a false sense of self-mastery through sensory stimulation. When confronted with repressive or powerlessness-laden environments, seeking immediate physiological and psychological satisfaction can offer temporary relief from emotional distress.

 

However, this pursuit of pleasure and satisfaction, to some extent, obscures deeper needs and contradictions. Take alcohol, for instance; while it may alleviate anxiety or elevate mood in the short term, long-term dependence can lead to health issues and emotional entanglement, suggesting it ultimately fails to address underlying problems.

 

I yearn to capture the raw, visceral responses and desires inherent in humanity through my art, momentarily immortalizing them on the canvas. This simple joy, although seemingly direct, represents one of my most authentic and tangible sources of pleasure at present.

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Marina Abramović, Rhythm 0, 1974
Performance
Duration: 6 hours
Various objects used by the audience

Marina Abramović's artwork, "Rhythm 0", is a bold experiment investigating the themes of body, power, and vulnerability. In this performance piece, Abramović placed herself under the control of the audience for a duration of six hours, allowing them to interact with her body in any way they desired. A range of objects, from gentle flowers to sharp knives, were available for the audience to choose from. This experiment provoked profound reflections on power dynamics, violence, bodily autonomy, and the essence of humanity.

In "Rhythm 0", Abramović not only examined the nature of humanity and societal violence, but also prompted contemplation on pleasure. As I have experienced, the pursuit of immediate physical gratification often serves as an escape from the burdens of reality. In this search for instant satisfaction, we frequently mask deeper emotional pain and psychological conflicts. While this transient physical pleasure may bring temporary tranquility, it can also lead to avoidance of deeper issues, revealing the fragility of our inner selves and our yearning for control.

 

Abramović's work presents a more extreme dynamic where the audience possesses complete control over her body, rendering her passive. This interplay responds to the psychological phenomenon I have observed: in the face of external pressures and controls, individuals often seek a semblance of self-mastery through sensory stimulation. This conflict underscores the inherent vulnerabilities of the body, which likely stems from a sense of powerlessness regarding emotional and mental issues.

As I have pointed out, means such as alcohol and sexual encounters may temporarily provide relief and satisfaction, yet they often lead to greater complications. Abramović's experiment illuminates the audience's struggle between freedom and control, suggesting that people frequently exist in a state of imbalance, both mentally and physically.

 

Through my artwork language, I explore self-discovery and express inner needs, which are vital for understanding and accepting myself. 

In my critique of female images and societal expectations, I engage in an exploration of subjectivity and self-identity, resonating with Abramović's questioning of bodily autonomy in "Rhythm 0". The awakening of women's self-awareness amid societal constraints exemplifies the journey of reflection and transcending traditional gender norms in pursuit of self-expression.

Bibliography of Sources

  1. Beck, Ulrich. Risk Society: Towards a New Modernity. Sage Publications, 1992.

  2. Burkitt, Ian. Social Selves: Theory and Identity in Modern Society. Sage Publications, 1991.

  3. Freud, Sigmund. The Ego and the Id. Edited and translated by James Strachey. The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 19, 1923-1925, Hogarth Press, 1923.

  4. Hofstede, Geert. Culture's Consequences: Comparing Values, Behaviors, Institutions, and Organizations Across Nations. 2nd ed., Sage Publications, 2001.

  5. Mead, George Herbert. Mind, Self, and Society from the Standpoint of a Social Behaviorist. University of Chicago Press, 1934.

  6. de Beauvoir, Simone. The Second Sex. Translated by Constance Borde and Sheila Malovany-Chevallier, Vintage Books, 2011.

  7. hooks, bell. Feminism Is for Everybody: Passionate Politics. South End Press, 2000.

  8. ​​Hall, Stuart. "Cultural Identity and Diaspora." Identity: Community, Culture, Difference, edited by Jonathan Rutherford, Lawrence & Wishart, 1990, pp. 222-237.

  9. Camus, Albert. The Myth of Sisyphus. Vintage, 1991.

  10. Rogers, Carl. On Becoming a Person: A Therapist's View of Psychotherapy. Houghton Mifflin, 1961

  11. Abramović, Marina. Rhythm 0. 1974, performance.

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